Proxima Nova Free Alternatives

The Proxima Nova family is a complete reworking of Proxima Sans (1994). The original six fonts (three weights with italics) have been expanded to 48 full-featured OpenType fonts. There are three widths: Proxima Nova, Proxima Nova Condensed, and Proxima Nova Extra Condensed. Each width consists of 16 fonts—eight weights with matching italics.

Stylistically, Proxima Nova straddles the gap between typefaces like Futura and Akzidenz Grotesk. The result is a hybrid combining humanistic proportions with a somewhat geometric appearance.

We’re providing to you a great free similar fonts to Proxima Nova font family.

Proxima Nova Thin – [Milliard Thin]

Proxima Nova Light – [Milliard Light]

Proxima Nova Regular – [Milliard Book]

Proxima Nova Medium – [Milliard Medium]

Proxima Nova Semi Bold – [Milliard Semi Bold]

Proxima Nova Bold – [Metropolis Bold]

Proxima Nova Extra Bold – [Metropolis Extra Bold]

Proxima Nova Black – [Metropolis Black]

Proxima Nova Italic

Other Free Proxima Nova Similar Fonts

Avenir

Adrian Frutiger designed Avenir in 1988, after years of having an interest in sans serif typefaces. In an interview with Linotype, he said he felt an obligation to design a linear sans in the tradition of Erbar and Futura, but to also make use of the experience and stylistic developments of the twentieth century.

The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura , Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders.

Azo Sans

Azo Sans is a new sans serif loosely based on the elementary forms of geometry. It is constructed in a geometric manner and inspired by the constructivist typefaces of the 1920’s, but is instilled with a humanistic quality.

Azo Sans is full of nuances that soften the strictness of pure geometry, making the typeface more human and pleasant to read in longer body text, while maintaining a sober and rational appearance. Azo Sans comes in six weights from Thin to Black, with a matching cursive italic for every weight.

Cera Pro

The pan-European Cera Collection is driven by pure geometry and contains the bestselling Cera, its stenciled counterpart Cera Stencil, Cera Condensed, the hand-crafted display Cera Brush and the soft Cera Round.

The starting point for the collection, Cera Pro is distilled from elementary shapes and brings simplicity, elegance and a certain warmth wherever a contemporary geometric typeface is needed.

Cera Pro’s six weights, thin to black, give it a full range of expression for interfaces and corporate design; in print, on screen and in multiple languages. Matching italics, carefully sloped a lively 10º, are invigorated with a dash of rotalic flavour: keeping the o a perfect circle and giving Cera Pro’s italics striking effect when used for display typography.

Core Sans A

Core Sans A Family from S-Core is a modern sans-serif typeface that is clean, simple and highly readable. It is a part of the Core Sans Series Core Sans N SC, Core Sans N, Core Sans NR, Core Sans M and Core Sans G. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting.

Core Sans A family consists of 8 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy) with their corresponding italics.

Gotham

Gotham is a geometric sans-serif typeface family designed by American type designer Tobias Frere-Jones and released from 2000. Gotham’s letterforms were inspired by examples of architectural signage of the mid-twentieth century. Gotham has a relatively broad design with a reasonably high x-height and wide apertures.

Since creation, Gotham has been highly visible due to its appearance in many notable places. This has included Barack Obama’s 2008 presidential campaign, Michigan State University branding, and the 2016 federal election campaign of the Australian Labor Party.

Karu

Introducing to you a sans serif typeface family. You’ll need it round your design project. I think it is good for many different jobs. Introducing Karu Font Family! Karu designed by Fenotype. Karu is a workhorse font family with flair – suitable for everything from corporate branding to editorial design or packaging.

Equipped with extended language support, it is a versatile family of seven weights with matching italics. Open Type features include small capitals, upper case and lower case numerals and many alternate glyphs. There are even swashed characters for display use.

Samo Sans

Samo Sans is a modern sans-serif typeface with low contrast strokes and is balanced between technical shapes and dynamic feeling. The primary type family is consisted of complete set of Latin glyphs for lower and upper case. It also supports diacritics of all European languages including lining numerals, standard ligatures and other characters sufficient for regular typesetting.

Characteristic features are lower spurs (a, b, d, u), and upper spurs (m, n, p, q, r) with distinctive wedge-shaped cuts. These parts are complemented by homogeneously designed diacritics, which is not disturbing and harmonizing with the whole unit.

TT Norms

TT norms font have 14 opentype features. This font own family have set of arrows, proportional oldstyle figures, tabular oldstyle figures, set of circled digit and set of bad turned around digit. The basis for TT norms is the traditional type individual proportions.

You can download this font for free and use for personal purpose.

Conclusion

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