Average is calculated after a thorough research on various kinds of text fonts belonging to the historical periods and the modern world. The concept behind Average was to

The Ovo typeface was inspired by the caps written by hands which were used in a guide to lettering of the 1930s with the serif-like appearance that suggests

Coustard could be regarded as a text and demonstrate the example of show serif webfont developed for free use by Web browsers on laptops, desktops, and mobile devices.

Fauna is a sans-serif typeface of the contemporary style that features low contrast lines and rounded endings that were inspired by serifs. It is neither overly thin nor

Eczar is designed by Vaibhav Singh & David Brezina, and released by Rosetta Type Foundry as an academic typeface project of Vaibhav Singh during his study at the

Radley is inspired from lettering which were initially sketched and defined for the wood carved titling purpose. It was later on digitized and expanded to fit the web.

Marcellus and Marcellus SC (small caps) are professionally cut flared serif typeface families resembling a Roman inscription types. While the SC family has a preference towards more use

Designed for reading web content, Rasa currently supports 92 languages based on the Latin script and 2 based on the Gujarati script (Gujarati and Kachchi). The fonts covers

Cormorant is a free display type family designed by Christian Thalmann. At the moment of writing this paper, the project has 45 fonts in total with 9 visual

Oranienbaum is a monotype popular in the XXI century and with high constrast, belonging to the Antiqua families typeface: it has recognizable, clear shapes. Based on the architecture

Unna appears elegant and has a delicate and round stroke, in its serifs, while the stems are thick, which enhances the neoclassical element of the font, its vertical

Out of all foundry fonts, Copse is a low-contrast slab serif that is marginally understated but still has a sound idea. You can use this font for personal

Marcellus and Marcellus SC (small caps) are two families of flared serifs, designed with reference to the forms of classical Roman inscription letters. Although, the SC family is

A development, Kameron is a combination of Slab Serif and Egyptian type styles that emerged in the early and mid-Twentieth Century. As for the changes and additions introduced

Scheherazade is an Arabic font conceived underlining the features seen in fonts such as the Monotype Naskh while supporting all the Unicode Arabic characters. This font is derived

Lustria is a rounded-serif text typeface A variety of details mean that we find Lustria interesting when used at larger point sizes also. With the collection started in

Cantata One is a high contrast, extended Didone style text face. Not only is Cantata One intended for use in medium to large text sizes but it is

Karma is an Open Source multi-script typeface, which contains both Devanagari and Latin script. The family was created for body text on screen and there is available five

Lusitana is derived from the typeface used in the first edition of The Lusiads written by the Portuguese author Luís Vaz de Camões in 1572. This typeface is

PT Serif™ is the second multi-script font family designed for the project “Public Types of the Russian Federation. ” PT Sans is the first font family of the

Adamina is a text face of a kind intended for use in small sizes. For this purpose the x-height is increased and contrast is reduced. Specifically, proportions are